Welcome
to Scotland in July. Here in Edinburgh
we’ve got a Saturday afternoon monsoon going down – but the rain is nice and
warm. As the saying goes though, it
never rains in the pub, and not in the George Square Spiegelent either.
Main Street Blues do a good job of heating
everyone up in any case. They’re not what you’d call an in-yer-face bunch, but
in their unassuming way this is a band whose various elements dovetail neatly
throughout their selection of originals and covers.
Derek Smith gets tasteful |
The
opener of Coco Montoya’s ‘Last Dirty Deal’ is a good illustration of their
poise, showing off well-balanced sound, Derek Smith’s warm and mellow vocals,
and added colour from the keyboards of Iain Hanna. Meanwhile the rhythm section of David Boyle,
depping on drums, and John Hay on 5 string bass, provide plenty of bottom. A cover of the smoky Bob Geddins slowie ‘Tin
Pan Alley’ underlines those qualities.
Featuring a rousing organ solo that suggests Hanna has listened to Jon
Lord once or twice, it also suits Smith’s voice and his tasteful lead guitar
work with its absence of overplaying.
Alvin Lee’s ‘The Bluest Blues’ grows in intensity, with the
guitar and keys perfectly balanced, and some particularly attractive piano
glissandos from Hanna.
They’re
also well capable on the writing front, as evidenced firstly by ‘Write If You
Find Love’, and later by the shuffle of ‘Lost Without You’, which features
piano from Hanna and nice dynamics, and also the gutsy riff and surges of organ
on ‘Cold Cold Bed’. It’s an impressive
45 minute set, and I look forward to nabbing a copy of their next album.
Jed Potts goes wang dang doodle |
Jed Potts and the Hillman
Hunters
are up next – and just how many appearances has the Potts fella made in the
course of this Festival? It looks like
he’s still enjoying himself at any rate, as he and his trio crack open ‘Days Of
Old’, aka ‘Gonna Ball Tonight’.
After
a Freddie King instrumental he’s joined for the rest of his set by Memphis harp
honcho Brandon Santini, kicking off
with ‘Don’t Tell Me’, a slowie on which Santini brews up a forceful harp solo,
matched by a note-bending workout from Potts.
Santini takes over on vocals for his own ‘Evil Woman’, pitching in with
a booming voice and an easygoing storytelling style to go with some jittery,
high pitched harp.
Brandon Santini leans in |
They
romp through ‘Catfish Blues’ and Sonny Boy Williamson’s ‘Nine Below Zero’, with
Potts and Santini bouncing off each other to great effect. Along the way, Potts’ inventiveness as a
guitarist is frequently evident, firing in licks from unusual angles and
coaxing different sounds out of his Telecaster.
Potts
introduces ‘Juicy Fruit’ as “a bum wiggler”, and with some justification as it
proceeds on its merry, Chuck Berry kinda way.
They close with another take on Freddie King, this time ‘C.C. Baby’, a
swinging affair driven along by Charlie Wild’s walking bass, that has all
concerned wishing there was time for one or two more.
What’s
not to like about Gráinne Duffy? Quite apart from her Irish charm, she has a
voice right out of the top drawer, forms a mean guitar pairing with husband
Paul Sherry, and writes some damn fine songs.
All of which assets were in evidence during this set.
Both
‘Each And Every Time’ and ‘Drivin’ Me Crazy’ draw inevitable vocal comparisons
with Bonnie Raitt, the former with nice interlinking of guitar parts and a lazy
Southern sound, the latter in a similar rocked up country mode to Shania Twain. Then Sherry contributes sweet, laid back
slide to ‘I Don’t Know Why’, into which they also manage to work a reggae
break.
Paul Sherry and Gráinne Duffy - a mean guitar pairing |
Duffy
observes that ‘Good Love Had To Die’ was inspired by Peter Green, and her
guitar work certainly nods strongly towards Green’s guitar tone, while Sherry
also adds a nice solo. In a different vein, the
funky groove of ‘Voodoo Woman’ heralds bass and drums showcases from Paul
McCain and Darren Beckett respectively.
New
song ‘Blame It On You’ ushers in a corking vocal performance, but that’s just a
warm up for Duffy’s reading of ‘I’d Rather Go Blind’. If you’re going to tackle the Etta James
classic then you’d better do it justice, and Duffy assuredly does that. Like Dani Wilde, she has an impressive
repertoire of vocal tricks at her disposal, but uses them sparingly, peaking
with a gravity-defying long note that draws an involuntary sigh of approval
from the audience.
Having
knocked everyone sideways with that, Duffy and co bring things to a rocking
close with ‘Test Of Time’, the title track from her second album. It’s a suitably upbeat ending to a great
afternoon – three bands coming at the blues from different angles, putting a
smile on everyone’s face. Even if the
rain had got worse in the meantime.