Down in London on business last week I thought I'd
check out the Blues Kitchen in Camden High Street, a
venue that has live music nightly, and offers up food and drink with a Deep
South vibe. And I have to say that although it inevitably charges London
prices, it's a decent place, with a good buzz about it, enjoyable grub, and
friendly staff.
The Blues Kitchen - suitably down to earth |
Monday night is Rib Night, so I decided to go with the
flow and have the special of 2 smoked pork ribs and a smoked beef rib, which
turned out to be a daunting plateful even for a trencherman like me. The
place has a lengthy list of bottled craft beers, as well as a selection on
draft, and I went for a pint of Samuel Adams to wash down the grub. It
took a while to get through that lot, and to be honest I didn't go the whole
hog with the ribs, if you'll pardon the pun. But after a bit of a break
for a rest it was time for some blues.
Jack J Hutchinson had been drafted in at relatively
short notice, to replace the billed Niall Kelly. Hutchinson has an
electric band that have apparently attracted some positive noises in the last
year or two, but on this occasion he was doing an acoustic set, opening up with
'Heart Beat Like A Hammer', which revealed a good, raw voice in the manner of
Rod Stewart, or perhaps more Phil Campbell from The Temperance Movement.
He was accompanied by a fella called Marc Bougerra (no guarantees about
the spelling - and I did ask!) playing lead guitar with a good feel and a nice
sense of restraint. They went on to mix together Hutchinson originals such
as 'Long Time Coming', which had pleasing if distant echoes of Sam Cooke's 'A
Change Is Gonna Come', with covers such as BB King's 'How Blue Can You Get?'.
The latter wasn't an obvious choice, and on the whole wasn't bad, though
Hutchinson's rhythm guitar began to seem a bit percussive, and his vocals could
have offered more light and shade. The following 'Hey Hey Hey'
was
another original, and possibly the best of Hutchinson's material on this
evidence - slower, subtle, and a little bit folky, embellished by some neat
Latin-styled lead guitar work from Bougerra. Before taking a break they
rattle through a decent turn of Elmore James' 'Shake Your Money Maker', and
even if it didn't include a stab at some Elmore-ish slide it did get some young
things up and dancing around their table. An invitation to spilt drinks
if you ask me, but good luck to them!
Jack J Hutchinson and chum Marc |
Hutchinson comes back on his own for a while, and
though his own song 'Boom' makes interesting use of the title in its chorus it
also shows up the tendency to a lack of dynamics. On this and the
following 'Get It Back' it seems that Jack needs to recognise that vocally,
less is sometimes more, and that dialling down the power can make it all the
more effective when you then choose to punch it home.
Bougerra returns for the more impressive 'Love Is
Gonna Bring You Home', which demonstrates more sensitivity, before
unfortunately some technical problems with Hutchinson's guitar amplification
get in the way. By the time they get it fixed it's time for me to hit the
road, but at least having had a good night all round.
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