Aynsley Lister has a lot going for him. He’s a top quality singer, with a clear voice
that’s easy on the ear. As a guitar
player, he’s even better, capable of real fireworks. When he puts his mind to it, he’s an
imaginative songwriter. He has a crack
band, with Bennett Holland on keys, Boneto Dryden on drums, and Steve Amadeo on
bass. Oh yeah, and he’s a good-looking
sod too.
Eyes Wide Open is
an album that shows what Lister is capable of, with songs that explore
different avenues and are delivered with style, and the opening couple of
tracks show off some typical Lister qualities.
‘All Your Love’ enters with pulsing bass and a steady beat,
over which
some injections of guitar climb, but it’s the clear and easy vocal that marks
him out – Lister has a distinctively English singing voice, lacking any
American affectations. ‘Everything I’ll
Have To Give’ meanwhile, is a piece of soulful blues that’s right in his
wheelhouse, with a rolling, easy rhythm and a piercing guitar solo with enough
twists and turns to keep Jeremy Clarkson happy.
Aynsley Lister, eyes wide shut |
But he mixes it up a bit after that. ‘Il Grande Mafioso’ has a cinematic vibe,
with a Mediterranean feel instigated by the acoustic guitar intro, some
seriously twangy guitar work, and piano lines that evoke the Harry Lime
Theme. Later, the halting and moody
‘Dishevelled’ recalls his previous cover of Nina Simone’s ‘I’m Feeling
Good’. It may not have the climactic
peaks of the latter, but it does have a sinuous guitar solo, woven around the
melody and elaborated with changes of pace.
It also evokes a late night sleazy bar encounter beautifully, Lister’s
languid vocal perfectly delivered.
In between these, Lister occupies more straightforward
territory with ‘Won’t Be Taken Down’ and ‘Time’. The former has a restrained verse, offset by a
surging chorus with seriously big guitar chords bringing the oomph. The latter is light and sprightly, with
twitchy guitar licks and one of the best hooks of the album in its soaring
chorus.
For me, the second half of the album doesn’t quite maintain the standard set over these first six songs. This isn’t to say that the track list
includes any duds; Lister is far too professional for that, and there are
always interesting things going on, not least in his guitar work. But a ruthless advisor might have advised
pruning a couple of the slighter songs in order to push the quality threshold
to the max.
As I say though, he still does interesting things. ‘Troubled Soul (Intro)’ is a delicate, Mark
Knopfler-ish guitar vignette. ‘Kalina’ has a lovely, mellow guitar refrain, and
here as elsewhere the interplay of Lister’s guitar with Bennett Holland’s keys
is delightful. I’d have liked a stronger
melody and chorus, but it still achieves lift off by means of Lister’s guitar
solo. Meanwhile ‘Other Part Of Me’ is a
relationship celebration with a tune and arrangement that bathe the lyrics in
sunshine – the Commodores' ‘Easy Like Sunday Morning’ springs to mind.
Aynsley Lister isn’t easy to pigeonhole. He shifts shape fluidly around a soulful,
bluesy, rocky style. I’m beginning to
think he might be Britain’s answer to Robben Ford – someone who wants to push
the songwriting envelope and find new ways of expressing himself, and has the top-drawer
musicianship to match. Hell, he’s a
better singer than Robben Ford too. If
you haven’t been giving Aynsley Lister your attention before, you should start
now.
Eyes Wide Open is released by Straight Talkin' Records on 7 October. Check Aynsley Lister's tour dates for a gig near you.
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