Saturday, June 5, 2021

Joe Bonamassa - Now Serving: Royal Tea Live From The Ryman

It may seem a bit incongruous, selecting the Ryman Auditorium in Nashville, the high temple of country music, for this onstage performance of songs largely drawn from last year’s Brit-guitar-hero-inspired, recorded-at-Abbey-Road studio album Royal Tea.  But JoBo fans needn’t worry that the material has metamorphosed into pedal steel twangin’, Stetson-hatted, Okie from Muskogee fare.  No siree Bob, what’s Now Serving is a guitar-heavy, blues-inflected, hard rock menu typical of the chef du jour.
Opener ‘When One Door Opens’ is almost a microcosm of the variety to be found across the nine tracks from Royal Tea.  It bundles together a mock regal pomp and circumstance intro, a delicious staircase-like riff, a martial rat-a-tat passage, some moody Pink Floydism softened by the harmonies of Jade MaCrae and Dannielle DeAndrea, and – most spectacularly – a monster riff that digs the foundations for a howling Bonamassa wah-wah solo.
Joe Bonamassa at the Ryman - no Stetson, but that's a bit of a country jacket!
Pic by Kit Wood

For me the most satisfying mugs of Tea on offer are ‘A Conversation With Alice’ and ‘Lookout Man!’.  The former rattles along engagingly, with slide guitar thrown into the mix alongside a ripping organ solo from Reese Wynans, before a shift in rhythm, with Michael Rhodies stirring in a dollop of funk on bass, brings more swing to underpin a really enjoyable guitar solo.  Meanwhile ‘Lookout Man!’ catches the ear with a novel, synthy sound for its subterranean bass riff, while guest Jimmy Hall adds some squawking harp in tandem with the guitar, evoking a neon-lit urban nightscape in which matters get well’n’truly heavy.
Elsewhere, there’s a swaying bluesy vibe to ‘Royal Tea’, on which Bonamassa challenges himself vocally with the ascending melody on the chorus, and acquits himself pretty well.  But there’s even more blues to the bump’n’grind of ‘High Class Girl’, on which ‘Green Onions’ flavour than on the studio version gives way to echoes of Willie Dixon’s ‘Spoonful’, not least in the brief quote that our Joe slips into his scrabbling storm of a solo.
When it comes to the big epic moments I’m inclined to think the semi-mystical light and shade of ‘Beyond The Silence’, the kind of large canvas picture like ‘The Last Matador Of Bayonne’ that Bonamassa does well, has the edge over ‘Why Does It Take So Long To Say Goodbye’, which builds from a sweeping, romantic guitar figure into a beefed-up Foreigner-style power ballad before shifting into a muscular instrumental passage full of spiky guitar over simmering bass from Rhodes.
There’s more funky bass to enhance the drum-whuppin’ of Greg Morrow on the Pat Travers-like ‘I Didn’t Think She Would Do It’, spiced up by some Arabic-sounding guitar from Bonamassa, and a tense bridge before he heads into funky wah-wah soloing territory.  And somewhat out on a limb there’s the oddball boogie-woogie of ‘Lonely Boy’, which is likeably daft if a little disjointed, with harp tooting accompaniment from Jimmy Hall, a barrelhouse piano spot from Wynans, and a rockabilly guitar showcase from Rob McNelley.
They wind down with a trio of covers from Bonamassa’s A New Day Now celebration of his debut album, in Rory Gallagher’s ‘Cradle Rock’, Free’s ‘Walk In My Shadow’, and a segue of Tull’s ‘A New Day Yesterday’ into a chunk of Yes’s ‘Starship Trooper’.  They’re all perfectly enjoyable, even though they lack the distinctive personalities of the originals.  ‘Cradle Rock’ may not have Rory’s singular fire, but they certainly put the pedal to the metal, with Morrow giving his kit a real good leathering, and Bonamassa firing off a tasty, sharp-but-slithering slide solo, ‘Walk In My Shadow’ eschews Free’s tough swagger for a carefree walking riff, and a slippin’an’slidin’ organ solo.  Then they rock up and rough up the Tull classic, but inevitably lose some of its quirkiness, though Bonamassa certainly revels in the sledgehammer riff, before finally they stitch on the spangliness of ‘Starship Trooper’.
Joey B fans will doubtless love all this, and supplement the crowd noise 
from other Bonamassa recordings augmenting this largely audience-free gig .  And why not enjoy it?  In these concert thin times, any whiff of a fresh live performance from an artist who knows their stuff has got to be welcome.  Yessiree Bob.

Now Serving: Royal Tea Live From The Ryman is released on DCD, Vinyl, DVD and Blu-ray by Provogue/Mascot Label Group on 11 June.  Pre-order: www.mascotlabelgroup.com/collections/new-products

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