Picture this, a day in December. On the bus to work at dark o’clock. Stick the earphones in, and give a first
listen to an album sent to you by some band you’ve never heard of. And then -
hold the phone. This is really, really good.
As album titles go, Blueberry
Pie sounds too sweet to be wholesome.
But don’t be fooled. This outing
by the band formed by the wonderfully named Suzy Starlite and her other half
Simon Campbell - a British Blues Award nominee in 2011 – is satisfying like a
good malt whisky. It may be comforting,
warm and familiar, but it also has depth and bite.
"Aargh - the feedback, Suzy!" - the Starlite Campbell Band get down and dirty |
There’s a decidedly British Blues sensibility at work here, exploring
a variety of different blues dimensions along the way. ‘You’re So Good For Me’ rides in on a crunch
of fuzzy guitar, leading up to a zinging solo over swells of Hammond organ, and
a teasing bridge to a solo by keyboard player Jonny Henderson – who’s a perfect
foil for Campbell’s guitar from start to finish. But underpinning all of that there’s another
hint of Sixties soul, in the vein of ‘Treat Her Right’ or ‘Mr Pitiful’.
A blast of harp from special guest Danny Boy Sanchez heralds a Chicago R&B angle to ‘Say What You Want’, but with sharp, original lyrics
that give it an original twist: “Information is a bitter sweet fix / We used to
wrap it in fish and chips”. ‘Cry Over
You’ is a slowie with a piercing guitar intro that brings to mind Gary Moore in
ballad mode, and interestingly staccato vocal phrasing that may indicate why
Campbell’s Blues Award nomination was in the vocal department. His voice may not be earth-shattering or
unique, but he knows what he’s about, evidenced by the pleasingly smoky quality
he brings to ‘I Need A Light’, complementing the jazzy mood conjured up by
Steve Gibson’s pattering drums and Suzy Starlite’s slinky bass.
The balance in the material is also demonstrated by
excursions into Freddie King territory with the instrumental ‘Shimmy’,
developing variations on a spiky guitar theme, and at the other extreme ‘Thrill
You’, which is laid back blues in the manner of ‘Come Rain Or Come Shine’,
featuring another smoky vocal and a good organ solo and accompaniment from
Gibson. ‘Empire’, meanwhile, is a driving
and glossy take on R&B, with a fuzzy ascending riff and a stinging guitar
solo.
The title track touches on Campbell’s acoustic blues
interests, with nice vocal harmonies and a measured garnishing of slide, and Ms
Starlite gets a featured vocal of her own on ‘Guilty’, to which Campbell adds
another controlled, piercing guitar solo, perfectly fitted to the song.
Blueberry Pie
isn’t ground-breaking, or wildly adventurous, but it knows where it’s coming
from. It’s also fresh and modern, it’s witty and literate, it swings and it rocks,
and it’s well-nigh perfectly executed. Hell, even the cover photograph is sparky. To
paraphrase Agent Dale Cooper in Twin
Peaks, this Blueberry Pie is worth a stop.
Blueberry Pie is released by Supertone Records on 1 February 2017.
Thank you Iain for your thoughtful review of 'Blueberry Pie'!
ReplyDeleteYour support is very much appreciated!
Love the caption under the photo haha.... and the whiskey analogy #Glenfarclas :)