We headed back along Highway 10, and the 18 mile long, stilts-over-gator-country Atchafalaya Basin Bridge towards Baton Rouge. But from there we didn’t take the direct route to New Orleans. Our plan instead was to take the scenic route, and approach New Orleans via the Lake
The Lake Pontchartrain Causeway |
We dropped our hire car at the airport, as we wouldn’t need it for the remaining few days of our trip, and took a cab to our lodgings. For New Orleans my other half Jill had selected the Hotel le Marais in the French Quarter, just a few steps from Bourbon Street. Very nice it was too, as we chilled out after the drive (during which we had blessed the aircon as the temperature hit new heights) and the cab ride, by sinking into the pool in the rear courtyard with a couple of cocktails
Hotel le Marais hangs out the flags for us |
Later, in the course of a first wander around, we enjoyed some grilled oysters in one of the numerous local oyster bars. Then we took the very warm evening air in Bourbon Street, and ended up in one of its well-known music haunts, the Famous Door. Here we were treated to a soul and R’n’B, so cool one of them was wearing wraparound shades, whipping through a set of classic covers in most satisfying style. The audience – a decent number for midweek – was rather less cool mind you, as it included a high proportion of Elks. No, not the big beasts with coatrack antlers, of course. These middle-aged folks were members of the Order of Elks, one of those fraternal societies so popular in the States, and their bright yellow t-shirts announced they were in town for a Convention. The Order of Elks is very keen on God, the Flag and the Constitution – but less keen on black members until the 70s, and still not wild about women members. That
One of the more genteel Bourbon St buildings |
When the band took a break we spread our wings and found a bar further up the road where a jazz quartet was in action. Rather good they were too, with an exuberant drummer who was really throwing himself into it, and a trumpet player who in my recollection bore a startling resemblance to the actor Chiwetel Ejiofor. What was most noticeable though, was that they were competing with some rock bar across the street, which was blasting out the likes of Bon Jovi with the volume turned up to 11. If this was the cause of the slightly pained expression that often crossed the face of our trumpeter, then I sympathised.
That trumpeter’s expression, I have to say, sums up my abiding impression of Bourbon Street. It’s tacky. People wander up and down it carrying large, garishly designed plastic vessels filled with high voltage concoctions named “Hurricanes”, “Hand Grenades” and such like. Here and there along the way they pass by a selection of strip joints, with window displays that make their repertoire clear – even to the pre-teens dutifully trailing along in the company of Mom and Pop. It smells a bit too, like once a week the whole avenue gets sluiced down with slops from the beer.
Appealing, huh? Well, it still has some plus points. And there’s more to New Orleans than Bourbon Street!
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